Pan law is measured in dB by way of how many decibels the mixer will reduce the volume as the mono source is panned from one side to the other.

This is by no means a tutorial of “How to mix monitors at a high level with any gear”…

Would I have every screen possible if I had a tech to load it in and out for me every day? Maybe… but still probably not.

Efficiently naming, saving, and archiving showfiles is boring.

MADI is the simplest solution for high channel count and high sample rate recordings is to find a MADI based solution.

Let’s talk about data storage!

Snapshots are a powerful tool.

Embrace the transient.

What do I think it means for Space Bear to be a good monitor engineer?

Practically, how do you get to be good at a job you don’t have yet?

I have become increasingly impressed with the value of having a variable saturation stage on every channel on my desk.

Three hundred macros?!

Control Groups for Monitor Mixing

If it doesn’t change, it’s downstream.

The freedom to control things from any location on stage without having to run a cable is hugely helpful.

It is worth noting, that while incredibly helpful, a DHCP server is not mandatory

It is a bunch of 1s and then a bunch of 0s.

First and foremost, we need to know what an IP address is.

Let’s clear up a common misconception. USB-C is ONLY referring to the connection type.

What if I could give each of the techs on my team control of macros or RF states on their phone?